Sunday, July 19, 2015

Four More Questions by Phyllis Wharton Smith to Pet Artist Adrienne Bea Smith


Phyllis:  Continuing from the last interview, I thought I would ask some more questions to you. What is your philosophy behind the process of drawing?

Adrienne:  First of all, I do not believe in blending and smudging. I feel pencil marks give a sense of spontaneity to the drawing. I love the aspect of layering which gives depth to the drawing. In life there are layers and layers to human or animal form and I wanted to show that in rendering. This therefore gives energy and an expressive quality to the art process. Most of my training is by observing what the masters did in the process of creating e.g. Rembrandt and Rubens. I also love Van Gogh’s energy in his marks.

Phyllis:  Have you worked in other media?

Adrienne:  Yes, oils and everything to do with paint and drawing. I don’t work with oils now, because of the toxic nature of them. I used to work very large but I find that it is hard transporting and crating them. I love large paintings because you feel like you can walk into a painting. I also love the feeling you get when you paint since you are literally doing a dance with the paint. Your strokes can be broad and expansive with your movement.  After all is said in done though I love working small as well. And it is great to work in a variety of sizes.

Phyllis:  I understand you lived in Europe. Where was that specifically?

Adrienne:  I lived approximately 20 years in England and went back to Art College in Preston England as a mature student at 37 years of age. I also lived in Lund Sweden and Paris, France. I started to paint after my children were born by painting a mural on their bedroom wall. Through several adult education classes, I compiled an art portfolio for acceptance to art school. While living in Lund, Sweden I also took art classes and was tutored by an art instructor. As you can see I am an advocate of art practice at any age.

Phyllis:  What were your influences growing up?

Adrienne:  My father was talented in drawing. I used to watch him do marvelous doodles (amazing cartoons). I also was fortunate to grow up in a home designed for my father by Frank Lloyd Wright. So in a sense I could say I lived surrounded by art. When my family went on vacation, we went to visit Wright architecture around the USA. I also like the expressive and performance arts like drama and dance having done a first degree in theater. My mother used to say I used to dance through houses when I was young. Having grown up in Chicago, the Art Institute heavily influenced me. I used to study the paintings at that museum which had a marvelous impressionist and modern collection of art.

Phyllis: Thank you so much Adrienne for letting me ask you these questions. You can see Adrienne’s work on www.etsy.com/shop/TheSmithsCollection    Also visit of Poodle Love Icon Series on Facebook https://www.facebook.com/pages/Poodle-Love-Icon-Series/261485240670133?fref=ts














Wednesday, June 24, 2015

Interview of 11 questions by Phyllis Wharton Smith with Artist Adrienne Bea Smith


Phyllis:  I have several questions to ask you about your work. First of all what is your experience and training?

Adrienne:   I have a BA Fine Arts Degree from University of Lancashire, Preston England in addition to having a BA degree in Drama for U of I at Chicago.  I lived in England for 20 years. I have exhibited in Europe and U.S.A in all painting media. I also have over 25 years teaching at community colleges in England, Arizona and New York State as well as community centers and private tuition in drawing and painting. My husband and I were owners and curators of The Main Street Gallery near Ithaca, NY having over 54 exhibitions giving the opportunity of showing other artists’ work in a gallery setting.

PhyllisYou seem to be doing a lot of pet portraits particularly poodles. How did that start?

Adrienne:  Well, first and foremost I have a love of animals. I always wanted to do portraits and since having poodles, first Gorky and then Lichen, it seemed to be a natural choice of doing pets as portraits.

Phyllis:  Did you leave teaching to do this?

Adrienne:  Lots of things happened all at once. We decided to leave upstate New York, sell the gallery, our house and move to Baltimore. I had to leave teaching, because I was experiencing a lot of pain in what I thought was my back. I had trouble walking.  Once we arrived in Baltimore, I realized, after seeing a surgeon, I required bilateral hip replacement surgery. I had the surgery which was successful. As I was retirement age, I wanted to work from home and it was logical to do art related to poodles and pets that I love.

Phyllis:  How do you start one of your drawings?

Adrienne:  First of all, I try and obtain clear photos of the subject matter for custom work. If not, I will work with what I am given. Then I use pencil guidelines to start the drawing.

Phyllis: I thought you used ink.

Adrienne:   After the guidelines in pencil, I create detail and form with hatching and cross hatching in ink.  Then I use watercolor to give color and more detail.

Phyllis:  Do you also render portraits in colored pencil?

Adrienne:  Yes, I do. This is a much more lengthy process of layering and detail of form to capture the essence and spirit of the pet subject. I love to capture movement, texture and the expressive quality of the pet portrayed.

Phyllis:  Do you offer originals, prints or both?

Adrienne:  I only offer originals and I do not deal with print reproductions (giclees etc.) I want to keep the process of hand drawing and painting alive which promotes the human quality.

Phyllis:  Are your prices affordable?

Adrienne:  I offer different services at affordable prices to allow for people of all means to purchase an original.

Phyllis: What is a vignette?

Adrienne:  A vignette is a drawing that shades off into the surrounding paper. My drawings have a vignette quality.

Phyllis:  How long does it take to execute a drawing?

Adrienne:  I allow for two to three weeks considering I have other commissions to complete.

Phyllis: I noticed that you also render vignettes of pets in settings. How do you come up with your ideas?

Adrienne: Sometimes the customer is very precise about what they want for custom vignettes. The ones I create independent of custom work are taken from my own ideas and experiences.

Phyllis: Thanks for this insight into your work.  For more information check on http://www.etsy.com/shop/TheSmithsCollection